Daniel Johnston is one of those fantastic artists that you’ll never have heard off but this track is awesome, check it out, and if you’re up for a challenge try an iPod remix of this. its great!
Beatmatching or Beatmixing is an intergral part of modern DJing, and for iPod DJing has always presented a challenge due to the lack of pitch control, there have been DIY solutions to help iPod DJs to Beatmach but they talke longer to setup and are not an ideal solution to beatmatching, you can find out more about Beatmatching with an iPod here, this DIY technique allos iPod DJs to beatmatch using some of the most simple and basic iPod DJing setups, however for a professional sound and mix, an iPod DJ would be better off with the Numark IDJ2 or the Cortex Dmix-300.
Beat matching on the Numark IDJ2 or the Cortex Dmix-300 is identical to beatmatching on vinyl or CD DJing setup, and as both units have pitch control, you can alter the pitch of the track mid mix, giving you more functionality and freedom as a DJ. So how do you beatmatch on the umark IDJ2 or the Cortex Dmix-300?
1. play a track from one channel
2. get the BPM
3. put a track on the second channel, and adjust the BPM to match the first channel
4. play the second track an try and line up the beats, using the pitch fader to control the tempo/pitch of the second track
5. once the two tracks are beatmatched, take the second track back to where you want to play from and wait for the first track to get to the point where you want to drop in the second track.
6. use the crossfader to bring in the second track
7. use the high, mid, low knobs to bring in and excentuate elements of either track to make you mix more interesting.
The Numark IDJ2 is one of the most revolutionary iPod DJing mixers out there, and essentially represents the third generation of iPod DJing technology. The Numark IDJ2 is essentially the predecessor of the The Numark IDJ, and as such fulfills most of the sort comings presented by second generation iPod DJing mixers, such as the need for two iPods, the lack of pitch control and so forth. The Numark IDJ2 is also the main competitor to the Cortex Dmix-300, whilst the Cortex Dmix-300 was launched in 2006/7 the The Numark IDJ2 was launched almost a year later, and with some fantastic publicity, heralding a new generation of DJing, where it was not only possible to DJ on an iPod, but it was also possible to DJ with the same amount of easy and flexibility as with normal vinyl and CD setups.
The first thing that hits you about the The Numark IDJ2 is the look, its clean, modern and retains that iPod-esq feel that made the iPod such a cult icon. Next thing to hit you about the The Numark IDJ2 is the colour screen that sites in the center of the unit, its big, easy to read and full colour, showing that the The Numark IDJ2 is capable of handing video as well as music. Whilst the finish of the The Numark IDJ2 is really good, its doesn’t have the sturdyness you get with the Cortex Dmix-300, and it would seem that the Cortex Dmix-300 is more of a club oriented iPod mixer when compared to the Numark IDJ2, the main thing in this regards that the Numark IDJ2 is missing is those sweet Jog wheels you get on the Cortex Dmix-300 with the Numark IDJ2, all you have are grooved rubber job wheels, which whilst sensitive, lack in both looks and feel, they just don’t feel right, in general this seems to be try of the finish on the Numark IDJ2, all the knobs, faders and switches seem to lack the robustness and professional feel you get with the Cortex Dmix-300, which gives the impression Numark still look at iPod DJing as more of a hobby and not something they are taking too seriously.
The layout of controls for the Numark IDJ2 is also a little unconventional, and doesn’t lend itself naturally to DJing, with cue play and stop buttons located where they could be accidentally pressed and with high, mid, low knobs placed horizontally above the jog wheel, meaning you could accidentally brush against the job wheel whilst you alter these controls, not good when you’re mid mix and the entire record goes off kilter. The Numark IDJ2 cross fader also seems a little…how should I put it, under achieved? it simply seems less than impressive and unlike the Cortex Dmix-300 cross fader, it isn’t replaceable.
The whole Numark IDJ2 setup just reeks of amateur finish so, whilst it looks great, it’s never going to be a Farrari, more of a Fiat Punto. This being said, the Numark IDJ2 is a Trojan horse the user interface which allows you to control te music on your iPod is fantastic and a great deal more usable than the Cortex Dmix-300, the best of both world would ideally be the Cortex Dmix-300 physical controls with the Numark IDJ2 digital/virtual controls. Regardless, for any iPod DJ, this is a fantastic product.
You find that the size of the Numark IDJ2 is also comparatively smaller than the Cortex Dmix-300, with its plastic finish its also a lot lighter, but its still not exactly portable, with the Numark IDJ2 needing mains power supply, this being said, if you’re a student or a mobile DJ then the Numark IDJ2 is a good and more pratical ption when compared to the Cortex Dmix-300.
All in all the Numark IDJ2 is a fantastic product, despite its finishing flaws its easy to use, looks reasonable and allows you to pitch control your iPod music all without breaking the bank.
Here’s a video of the Numark IDJ2 as part of a console, which adds more casing for the unit and an additional keyboard.
The Cortex Dmix-300 is one of the turning points in DJing technology, and the first real iPod DJing dual deck platform, whilst previous iPod Djing platforms needed you to have two iPods and wouldnt allow you to beatmatch with the Cortex Dmix-300 all these iPod DJing problems such as pitch bending, beat matching and using just one iPod are resolved, whilst the Cortex Dmix-300 allows you to do all these great things working just off a single iPod, it does come at a price, first, the Cortex Dmix-300 is expesive though with the release of the Numark ID2 the price has come down a great deal, second the Cortex Dmix-300 weighs a ton, literally, its not exactly portable, so whilst your iPod is tiny and fits in your pocket, with the Cortex Dmix-300 you are going to struggle fitting it into a bag, and its a gas guzzler too, you’ll need access to a power supply, so definately for the indoors only.
The Cortex Dmix-300 comes well packaged with all the usual padding so its well protected when you pick it up, you’ll find the usual manuals and how to guides and really you’ll want to read these, the user interface on the Cortex Dmix-300 does take some getting used to and if you use an iPod with a Mac, you’ll need to do all sorts of things in iTunes to get it to work properly.
Looking at the Cortex Dmix-300 its super sturdy, with a cool black casing its well build and oozes quality and durability. The first thing you’ll notice is the two circular ‘turntables’, these are totally free rotating and make scratching, cueing up and ultimately mixing possible, the surface attempts to mimic the vinyl feel, but as you’d expect this is only a passing similarity, although the gooves on these turntables does allow a certain degree of grip. the edge of the turn table platter is rubberised and help with certain turntablist tricks as well as savingg you from cutting your hand up on any sharp edges. Bearing in mind that the Cortex Dmix-300 is meant to be an all-in-one iPod DJing platform, between the two turntables sits the built in mixer, this is basic with your usual volume fader for each channel, Gain, high, mid and low knobs, master and booth output volume, fader curve switch, its also in the mmixer section that you find the Cortex Dmix-300’s iPod Dock, the Cortex Dmix-300 is made for iPod approved so the majority of iPods work with the dock and if not they are also supported by inputs at the back that allow you to rig up USB sticks and any other digital media, not just other iPods. The action on the cross fader is easy and fast, being very responsive to control, whilst the volume controls are a little more sticky, as to be expected. by each volume fader is a gradiating light that allows you to get a feel for the volume level of each channel, under normal light this isn’t all that useful, but in darker conditions this is useful as a guide but not exactly critical to being a good DJ. The Knobs for each of the various variables are cased in plasting and stiffer to rotate, however they are very sensitive and allow for a fairly decent creativity when your DJing, but they are a tad bit close to each other. The iPod Dock itself is well built and comes with various size adopters which you put in place to match the type and size of the iPod you are Djing with. For those of you with iPod Shuffles, you’ll have to plug the iPod in at the back. The iPod adopters however are a bit of a pain, being totally free of the Cortex Dmix-300 unit it’s clear they are really easy to loose, something that puts the Numark IDJ2 in another class (god is in the detail after all)
Back to the turntables, we now turn to the iPod controls,along the top edge of the entire Cortex Dmix-300 unit are a stack of controls that essentially allow you to control your music between the iPod and each turntable channel. first thing you notice here is a blue screen you’ll probably be able to tell its not exactly plasma TV here, essentially this screen that its above each turntable channel serves as view of your playlist, your track length and your control view, all that is abstract on only primative, its like looking at ms-dos, back in the early days, again something the IDJ2 beats the Cortex Dmix-300 on. to the side of this screen are three plastic buttons, and beneath the screen is a directional input, buy using these buttons the idea is that you can control the music for each channel on each turntable without having to touch the iPod, works great in theory, in pratice it takes a bit of time to get used to and you’ll have to be a bit fiddly. On the right you can see the pitch fader, which is the real life saver for any iPod DJ or for anyone looking to pitch control with an iPod, the pitch control is fantatic and performs as you would expect and at the top of each pitch fade are two buttons, essentially allowing you to sharply bend the pitch of the track. Above the turntable platter you’ll notice a small button, this button allows you to select the control of the platter, as a fas forward tool, pitch control or scratch platter, the idea behind each of the two turntable channels is that they work independently of each other, but off the same iPod allowing you the typical range of flexibility that any conventional DJ would have, including, volume control, pitch control, fast forward and rewind, and cue, loop and track menipulation.
At the back of the Cortex Dmix-300 you find all the useful connections, you can find 2 sets of booth outputs and one master output, a firewire connector, usb input, and 2 phono inputs. And at the front you get a mic input with master high and low EQ the on and off switch and a monitor output, with channel fader and volume, really useful for when you’re trying to beat match.
All in all the Cortex Dmix-300 is darn good, there are a few snags, as to be expected but a second generation iPod DJing platform, and a first generation single iPod DJing platform. if you’re looking for a reasonably priced and marginally portable iPod DJing setup, you really can’t go wrong with the Cortex Dmix-300, certainly if you want to be beatmatching and altering pitch of each track using only one iPod the Cortex Dmix-300 would be your iPod mixer of choice, and whilst the Numark IDJ2 is good, the drop in price of the Cortex Dmix-300 should, in theory make it a more attractive choice.
The Numark TTi iPod Turntable is the first turntable to take advantage of the iPod, as a mass storage device, for most DJs this turntable will serve as a fantastic addition, and for any music collector with tons of vinyl the Numark TTi iPod Turntable with its iPod dock and USB audio interface means you can record your vinyl straight to your iPod, this versatility means that for a home DJing setup, for an iPod DJ this is a fantastic additional piece of kit which will allow an iPod DJ to record vinyl tracks on to their iPod. Included in the package is software that alls the DJ to record tracks and archive them for iTunes, and for those of you who are worried about pops and crackles that come with vinyl records the Numark TTi iPod Turntable software allows you to brush up the quality of the recording.The Numark TTi iPod Turntable also boasts the kind of quality that Numark is renown for, with a metal platter, pitch control, s-shaped tone arm, a built-in phono pre-amp. The one down side is the Numark TTi iPod Turntable is a belt drive turntable, for DJs this means the Numark TTi iPod Turntable is relegated to a studio recording and play back turntable, for transferring music from vinyl to iPod rather than as a mixing turntable. This being said the Numark TTi iPod Turntable is cheap enough and high quality enough that the ability to record to iPod makes it a must have for iPod DJs and vinyl music lovers.
Bird Electron are a Japanese based electronic company that are one of the few producers of iPod accessories, in particular, iPod DJing accessories. The DJ-4S and DJ-4 are effectively variants of the simplest type of iPod DJing mixer. the mixer has two inputs, and one out put with a volume controller for each input channel.
if you’re looking for a highly portable and compact iPod DJing with out too many bells and whistles. Then you’ll want to check out this affordable and portable iPod DJing mixer.
You can have a look at the DJ5 mini mixer by Bird Electron here
and you can see the split cable mixer here.
So the eagerly anticipated iPod phone or iPhone 3G will be launched in the UK on the 11th July 2008, it still has that unique Apple styling whilst the casing and the shape retains much of its original sharp and clean cut design, the difference between the iPhone 3G and the iPhone , is that the iPhone 3G has 3G wireless technology, GPS mapping technology and will support more business features such as Microsoft Exchange and like the original iPhone you get an iPod, phone and internet browsing tool all in one with that revolutionary and ground breaking multi-touch screen that made the iPhone so popular. As with the original iPhone, you get access to the app store, where you can download and use various free (and not so free) applications to use on your iPhone, naturally these include a handful of DJing related apps that allow you to DJ on your iPod iPhone, the fact that you have Wi-Fi internet on your iPhone means that you can literally download DJing apps on the go and use them there and then.
All this makes the iPhone 3G one of the most eagerly anticipated products of the year,a nd some companies have taken advantage of this, if you’re looking to make free calls on your Apple iPod iPhone 3G, then you might find Truphone and their VoIP service to be a great asset allowing you to make cheap and free local and international calls.
This is the second Bird Electron iPod DJing mixer, specially made to allow iPod DJs with a small and portable DJing mixer that is able to work with an iPod without having too many bells and whistles and without breaking the bank. What you have here is the premium DJ5 from Bird Electron, this mixer is the top of the line iPod DJing mixer it has two volume sliders/faders, and has head phone monitoring, with volume control knobs for each channel for the headphones, this is good for you to listen to you mix before it plays out to the audience. Along with the two input sockets there is an output socket and a headphone socket. In addition to this the whole device acts as a headphone amplifyer as well and is battery operated. For any iPod DJ this is the top line in affordable and simple iPod DJing equipment. Check it out here.
Bird Electron are a fantastic Japanese company that produce some really innovative and minimalistic iPod accessories and electronics, they are also the first retailer to take iPod DJing seriously, and have 4 iPod DJing mixers as well as a collection of special iPod speakers and iPod docks, to add to this they also have iPod accessories such as iPod cases and other useful electronic items.
the simplest iPod DJing Mixer Bird Electron make is the DJ7, the DJ7 essentially allows two iPod outputs to be combined into a single output, giving you two decks and allowing you to mix using the volume control on each iPod. Like most iPod DJing solutions its still lacks that one critical point, it doesn’t allow you to control pitch, so you’ll have to organize your music like this.
This being said the quality of the cables is fantastic, and the idea is superbly simple, and the size and portability make this a fantastic solution for any DJ on the go..with two identical iPods.
DJing has always been seen as a bit edgy and ’street’ and has always been perceived as a way to engage a hip and cool crowd, hence why DJing has gained popularity with a mainstream audience, including that dodgy balding bloke who leers at girls in clubs.
The Sims DJ seems to be the EA games Sims franchis’s growth into capturing this new edgy DJing, iPod loving crowd, its developed as a sims game for the iPod allowing you to effectively become a DJ and begin DJing on your iPod in order to complete various goals. You essentially pick tracks and ‘mix’ them to keep the dance floor full of Sims, by doing various things, including pouring drinks, you get ‘DJ creds’ which act as points. In addition you get several mini games, to take your mind of the DJing side of the game.
As it only costs around a fiver, its not really iPod DJing as such but for those of you just the slighted bit curious about iPod DJing or for those of you who have a spare moment on the commuter trains The Sims Dj might just avert your attention for long enough to miss a stop.